data1701d (He/Him)

“Life forms. You precious little lifeforms. You tiny little lifeforms. Where are you?”

- Lt. Cmdr Data, Star Trek: Generations

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Joined 1 year ago
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Cake day: March 7th, 2024

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  • Frankly, I lack an understanding of the disdain for “All I Want For Christmas Is You” - I have heard much more annoying Christmas songs. It may be a bit cloying and heavily pop, but I think it’s well executed, at least compared to almost any Christmas song put out by a major artist in the 21st century. Also, I think My Chemical Romance pulled off a rather good cover that perhaps beats the original.

    Maybe part of it is I have a 5 hour personal/family Christmas playlist that reduces the amount of repeated listens to a more manageable degree. In addition to more well-known ones and several covers, it is also filled to the brim with alternative and indie Christmas music - Jonathan Coulton especially is good at making atypical holiday songs that don’t get annoying.














  • I find Pegasus a decent episode. I think that while utopian aspiration is a fundamental tenet of Star Trek, I think it’s a bit reducto e to call it completely a show about perfect humans.

    Heck, from the get go we had Garry Mitchell doing pyscho god stuff and Charlie X groping people, and a captain who sacrificed his crew to the weird space Romans so he would survive.

    I think in truth, Star Trek is both about the best humanity can be and how the best in humanity can overcome the worst in humanity - you can’t exactly do that without episodes where the protagonists or the Federation makes mistakes, sometimes small and sometimes on the magnitude of Pegasus.

    In many ways, DS9, darker as it is, feels the most Trek - a team of very different people with different beliefs overcoming/respecting their differences and forming a beautiful community despite the folly and evil around and within them.


  • To be fair, not everything is played for laughs - I’d say pretty much every season finale gets moderately serious. I also think the Orion world building was top notch.

    I enjoyed the crossover before I watched Lower Decks and still enjoy it, but I also feel like the way the characters were written at times reduced them to their basic archetype without the character development they would have had at that point in Lower Decks. I mean, it somewhat makes sense - probably a good idea to assume not everyone had watched Lower Decks and give an idea of who these people are - but I wonder if it could have been executed a bit better on that front.

    Suffice it to say, I think late Lower Decks itself actually contains better examples of their “toned-down” real selves.