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Joined 4 years ago
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Cake day: November 30th, 2020

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  • I typically operate under the assumption that basically anything I decide to post on a public forum is not private.

    Call me crazy, but I care less about the instance admins being able to see my vote history than regular users. For me the latter will produce a chilling effect on how I operate with the site moreso than the former, even if admins have more power that can be abused. I was already aware of the votes not actually being public and the idea admins could see that info seemed to be a given, but I still think there’s a difference between having a motivated malicious user go out of their way to look (making an instance, looking on a different platform, etc) vs making it simple for lay users to see that info within the platform itself (which I what I think is under discussion, currently).

    And honestly, if a solution could be determined to help make votes anonymous but still allow admins/mods to deal with bots/trolls, then I’d be all for it.


  • Miyazaki hasn’t really innovated since Demon Souls. The other games are slight variations on the same gameplay and design. Sekiro is the biggest change, but the overall design is still very similar. The rest are just “more aggressive / faster” or “open world/metroidvania” in comparison. There are other differences, but the core experience is basically the same.

    Fumito Ueda, while similarly iterating on similar ideas, was far more ambitious in his game design between Ico, Shadow of the Colossus, and The Last Guardian. Ico was very different to mainstream gaming at the time. SOTC pushed animation and scale to the limits of the hardware while doubling down on “design by subtraction”. Guardian, while similar in concept to Ico, was a bold move in relying on a “true to life” creature and developing your relationship with that creature as gameplay design. Each were far less mainstream than Miyazaki’s design which is why, as acclaimed as they are, you will find more division about them from so called “core” gamers.

    He’s the more important auteur in the medium. You don’t get Dark Souls without Ico.







  • If Dessalines is receiving money from the Chinese or other fascist government to develop the Lemmy sourcecode, even if only partially funding the project alongside other funding from e.g. the EU, then I can well understand why he would want to see them kept happy - on top of what he may feel personally.

    You people are so lost up your own asses, you will never find yourselves. Conspiratorial nonsense driven by your McCarthyism 2.0 with a complete lack of self awareness.

    But I guess I shouldn’t expect anything more from a NATO funded user and instance, right? The Heritage Foundation and CIA signing the checks over here?




  • Games “back in the day” weren’t made with algorithms designed to mess with your psychology to keep you playing, even if you hate the game. They didn’t design the games into evergrinds that only a few sweaty types and professionals can genuinely enjoy either. Old games had a logical, satisfying end where you would put them down afterwards.

    Well, many old games were. Arcade games specifically were often designed to get coins from players, with extreme difficulty encouraging grinds and sweaty playthroughs to achieve mastery.

    If anything, multiplayer and GaaS brought us back there.

    Many new games, especially single player games, are still designed with “fun” in mind, or with even loftier goals and themes, many without exploitative gameplay loops, yet still with distinct, pleasing graphics, art styles, and polished gameplay.




  • thoro@lemmy.mltoTechnology@lemmy.worldThe Terrible Costs of a Phone-Based Childhood
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    7 months ago

    Unfortunately the author has a few paragraphs that miss the mark and strike me as coming from more of a centrist or right-wing “kids these days are too soft” which feels very off-base and disconnected from the issue.

    Welcome to The Atlantic. It’s telling they think all these issues are because of phones and not other aspects of society or something like the looming, ever present threat of climate change.

    It’s basically The Economist lite at this point.